The Importance of Neurological Diversity in Media

Neuro divers

 

Over the course of the 21st century we have seen a slow but steady increase in the amount of diversity presented in various forms of storytelling, art and entertainment media.  The majority of the focus has been on things such as racial and sexual diversity though lately other types of diversity such a body diversity have begun to make headway as well.   I personally feel though there is another type of diversity of equal importance that often gets overlooked in the debate.  and that is neurological diversity.

 

 

While true many characters in various animated series, comic, films and television programs are given diverse personality types and some of these could be attributed to various neurological conditions or quarks, very seldom do we see such things actually addressed within the context of the work.  Though thankfully this too is slowly changing.  This year Sesame Street introduced an Autistic character named Julia onto their program to both reach out to young autistic children and teach other children from a young age that some children may act/behave differently than them and that’s OK and should not prevent you from wanting to become friends.  And while Autism like many things in the realm of human existence is a spectrum and one character can only cover so much, the character’s inclusion into the children’s program is a small step in the right direction.

 

Other then that we have seen many other television programs address unique character quarks but not all have quite tackled the issues head on.  The character Jeff from Clarence has expressed to his friends how he has his own way of doing things and how many things other kids do make him feel uncomfortable but outside of over exaggerations of typical OCD & Germaphobic tendencies the show hasn’t always gone too in depth towards Jeff’s neurological quarks from a serious perspective outside a few speeches by the character himself.  I am not saying  the character can’t properly represent neurologically diverse individuals, just that this type of teasing is noting new in animation.   Other then that many other all-ages and adult animated programs have also touched on or introduced characters with various neurological quarks as part of their character traits that while engrained in their character’s habits and personality are not always explored as deeply as they could be.  Steven Universe is a masterpiece in its emotional depth and maturity but even it like most other programs can shy away from the more serious psychological issues at time.  The cult favorites My Little Pony/Equestria Girls have characters like Fluttershy & Sour Sweet that represent conditions such as severe generalized & social anxiety and disruptive personality disorder but these elements are only used as obstacles to over come social issues & friendship problems more often then being something the character has to live and work to control on a daily basis.  Then of course you have Tina Belcher from Bob’s Burger’s who is also a very socially awkward character but her unique quarks are often just played up for cringe or laughs.

 

Now again I am by no means saying that these characters cannot be inspiring to viewers that share the same or similar unique neurological diversity to them, just that with media’s slowly increasing willingness to talk about so many other types of diversity and to talk about things like emotional maturity and true morality in a more refined, serious yet still easily digestable manner that it would also be beneficial to neurologically diverse viewers and society as a whole, as everyone has some sort of quark or imperfection that helps make them uniquely who they are, to discuss characters neurological diversity in a more open, casual and mature manner as we have seen other issues brought up within media over the course of the 21st century.

 

One example I think television could take some level of inspiration from would be comics.  In recent years we have had characters like Jessica Cruz pop up to many a readers delight.  Jessica Cruz for those that don’t know is the newest Green Lantern of Earth and is unique not just in the fact that she is the first female Green Lantern to hail from our blue orb but also because she is a character who has openly dealt with the trauma of extended bouts of sever anxiety and depression and was still able to over come these and become a hero.  The book doesn’t ignore the issue though and early issues show how even as a hero Jessica still is working to overcome and control her anxiety and that it is her true arch-enemy the same way the Joker is to Batman.

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This extremely open and human portrayal of Jessica is what helps make her work as a character and seeing her overcome her fears and anxieties to become a hero is an inspiring story for readers of all ages.

 

Overall I do think that the representation of neurological diversity is becoming more prevalent if not somewhat more slowly then its ethnic/sexual/physiological counterparts.  I just hope that our favorite cartoons and comics will continue to push the envelope so to speak and continue to add episodes and stories giving open dialogues about neurological diversity and neurologically diverse charters so young children and adult viewers alike can continue to be empowered and inspired by these characters that give us all the courage to dream.

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Thoughts on: Wonder Woman (2017)

  Warning: This Post Contains Spoilers!

 

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This weekend the long awaited solo outing of everyone’s favorite Amazon Warrior Princess started in theatres and sufficed to say it has made many positive ripples over its short stint in movie houses so far, so lets take a look at Wonder Woman and see if it is sensational as everyone says?

 

The film starts off with Diana Prince in modern day monolouging about the world and the nature of man as a briefcase is delivered to her with the original copy of the photo Bruce found of her in BVS inside.  This leads to the flashback that starts the main story of the film with Diana reminiscing about her life from childhood to adulthood growing up on Themyscria with her mother and the other Amazons.  We also get a brief retelling of the Amazon’s origins from Hippolyta.  As expected we also see Steve Trevor crash on the island which starts the whole thing off.  A Small group of German’s trailing Steve land on the island and are quickly slaughtered by the Amazons though not without the mighty women losing a few of their own to the attack, including Diana’s teacher and aunt Antiope.     This leads Diana to leave the island with Steve and help him try to stop the war.

 

Without spoiling too much more the rest of the film shows Diana learning more about the world of man both the good and the bad which over the course of the film is the sole push for Diana’s character growth not just as a hero but as an individual as well as she has to accept the world is a much more complicated place than she first thought and everyone has both good and evil within them, coming to the conclusion that as long as there is love there is still hope to save the world.

 

Overall the story of the film is well written, it faithfully follows Wonder Woman’s comic book origin while only making the necessary tweaks and additions to help serve the greater narrative of the film or have it fit into the DCEU continuity.  Gal Gadot gives a solid performance as Diana giving off a sense of both youthful naivety while also coming off as a strong and confident woman.  Chris Pine is also an excellent Steve Trevor and shows us a version of the character who despite being psychologically worn out from the war still does his best to try to stop it. And while only in the beginning of the film Ronnie Wright & Connie Nelson give solid performances as Antiope and Hippolyta respectively.  The supporting cast of characters like Etta Candy, Chief, and the villains like Doctor Poison. General Ludendorf and later on Ares all fit their role quite adequately as well.

 

The cinematography still manages to have the same natural tone the past DCEU films have had while having just enough color pop out to help make the characters more defined in the dark backdrop of war.  The slow motion moments in fight scenes somewhat reminiscent of Guy Ritche’s Sherlock Holmes are also well choreographed and welcome additions .  The special effects are also spot on for the most part making the battles feel as if they have real weight and depth to them.

 

The costume design is also impressive as both the Amazons and early 20th century citizens look authentic which helps add to the atmosphere of the film.  And the colors of Wonder Woman’s outfit pop every time they are on screen making the armor as visually appealing as the character of Wonder Woman is inspiring.

 

The only minor complaints I could find with the film would be that Ares has a really really stupid mustache that even his nice and somewhat comic accurate armor couldn’t completely hide and this prevents him from looking as intimidating as he should.  And the end scene before the credits being a traditional Superhero in silly pose while jumping really cliché was somewhat off putting.

 

Overall though Wonder Woman was a delight to sit through the first time and just as much if not slightly more so the second.  Patty Jenkins, Zack Snyder and co did a genuinely great job with this film as despite the dark topic of war it never loses its sense of love and hope and truly showcases what makes Wonder Woman such a great and inspirational hero.  If WB & DC are smart they will keep Mrs. Jenkins on as long as possible as she has proven that not only can female directors play ball just as well as the big boys, in some ways they can throw even better!

 

Final Grade

Cinematography: 8 out of 10

Story: 10 out of 10

Overall: 9 out of 10

Wonder Woman is now in theatres nationwide and will be rolling out worldwide over the coming weeks!

 

From Film To Frame: 5 Wonder Woman Comic Book Series Worth Checking Out.

 

With Wonder Woman releasing for previews in Theatres tonight and nationwide tomorrow I figured now would be a good time to plug some of the Amazon Warriors best stories.  So lets travel to Themyscira and beyond and take a look at some of Diana’s best adventures.

 

 

Wonder Woman: Rebirth By Greg Rucka (2016-2017)

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  Acclaimed Comic book writer Greg Rucka teamed-up with talented artists Nicola Scott & Liam Sharp for this 25 part epic consisting of 23 regular issues a special and an annual which shows Diana searching for the Truth of her origins in both the past and present against new and old foes alike.   This run takes the core of the character and reinvigorates it for a new generation of readers.

 

Wonder Woman: A True Amazon By Jill Thompson (2016)

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A one shot graphic novel with beautiful art and story by the ever talented Jill Thompson give us a look at a younger Diana as she learns what it truly means to be an Amazon, a hero, and a leader.

 

Legend of Wonder Woman By Renae De Liz (2016)

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A look at Diana’s childhood all the way to her early years as Wonder Woman, Renae De Liz Legend of Wonder Woman series is a true delight for Wonder Woman fans of all ages

 

Wonder Woman by Brian Azzarello (2011-2014)

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A more controversial yet still well done run shows the mighty Amazonian Princess fighting the pantheon of Greek Gods and even have a brief meeting with Orion and the New Gods as well.  If you are ok with a more violent interpretation of the character it may be worth a look.  And then of course there’s also Cliff Chang’s amazing art.

 

Wonder Woman: The Golden Age  By William Moulton Marston (1942-1947)

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Where it all began, the original Golden Age tells of Wonder Woman are always worth revisiting.  We see Diana fight Nazis and villains of all shapes and sorts.

The Flash #22: The Button Part 4 Review

Warning Spoilers Ahead!192830_1081050_4.jpg

 

Published By: DC Comics

Written By: Joshua Williamson

Art by Howard Porter

 

 

 

 

 

 

 

The next chapter in the DC Universe Rebirth Saga has finally come to a close.  Did The Button meet expectations, or was it not quite fast enough to make the cut?

 

To do a brief recap of the third part of the event Bruce & Barry ended up in the Flashpoint timeline where Bruce got to have a short heart to heart with his father Thomas Wayne before they were attacked by the Amazonian and Atlantien forces, during the fight they world begins to vanish and Bruce and Barry are forced to head back into the speed force where they encounter Thawne before he dies with the mysterious button in hand.

 

Part four of the story picks up where part three left off with Batman & Flash following Thawne through the speedforce via the cosmic treadmill while a mysterious voice narrates.   Thawne boasts that after he gets the power of the being behind the time/space manipulations he will go back and mess-up Barry’s childhood even more laughing at all the sadistic things he has planned.  However once Thawne finally arrives at the edge and faces the mysterious entity his bravado quickly becomes fear as he begs for his life and is destroyed by the mysterious force.  The ripples cause Barry & Bruce to be flung off the Cosmic treadmill but Flash finally here’s the voice that has been calling him and says Jay Garrick’s name which allows Jay to temporarily break free from the Speedforce and help get Flash and Batman safely back to the Batcave .  Barry attempts to stabilize him the way he had before with Wally but he fails and Jay is pulled back into the Speedforce.  Barry says he must not have been the right person that he wasn’t Jay’s lightning rod.  The issue ends with the button floating in space and Superman’s shield shown front and center in one of the panels.

 

In terms of story The Button does move the overall narrative of Rebirth forward, however at the end of the day it does feel a bit more like a mean tease more so than anything else.  The book does concrete that we will eventually get teams like the JSA and Legion of Superheroes back and does do some things that will most likely have some long lasting effects on the characters, such as the Death of Eobard Thawne The Reverse Flash, and Bruce having a heart to heart with his father Thomas making him doubt his purpose for being Batman.  Otherwise the story just seems to be a set-up for this Fall’s Doomsday Clock storyline.  On the Brightside however Howard Porter’s art is just as great as ever and his Jay Garrick is a nice mix of the traditional and the John Wessley Shipp version we see on TV.

 

Overall The Button is an interesting story that is just one more piece in the gigantic puzzle that is Rebirth.

 

Final Score

Story: 7

Art: 8

Overall: 7.5

  

BUG! The Adventures of Forager #1 Review

Publisher: DC Comics608

Written By:  Lee & Micael Allred

Art By: Lee & Laura Allred

Letters By:  Nate Piekos of Blambot

 

 

 

 

 

 

 

 

 

Ever since last fall when DC Comics launched its new Young Animal imprint fans have been eagerly awaiting to see what would come from it once it expanded beyond its initial four premiere titles.  Well this week the fifth series and first mini to launch from the line has begun and it is a rip-roaring adventure through time, space and the Multiverse with the best hero you’ve never heard of Bug The Forager.  So get your mother boxes ready and let the journey begin.

 

The book starts out by giving us some brief flashbacks to Bug’s previous and supposedly final adventure before having the titular hero wake up and find himself encased in a cocoon inside of a basement.  He looks around and finds a mysterious talking teddy bear that is quickly snatched by an equally mysterious ghost girl whom he follows up the stairs until he runs into a group of monsters that he must fight off before meeting up with the girl once more in a room full of dominos that mimic a motherbox switchboard diagram.  The dominos drop and our hero is given multiple vision of other heroes in need of help throughout the Multiverse.  After this ordeal Bug is found by two more creepy creatures who happen to be servants of the silver age Sandman.  He explains there are here to find “The Dreamer” whom he believes Forager to be and that he needs BUG to wake up if he isn’t already dead that is.  The reason for this is because he needs BUG to help him find one of the rarest metals in all the Multiverse, one that can make dreams reality.  Shortly after being awoken the group is attacked by General Electric a mad scientist in search of the same power as Sandman & BUG.  The first issue ends with BUG stepping through a dimensional portal to parts unknown.

 

 

Overall in terms of story the book is the highly enjoyable retro surrealist kind of tale we have come to expect from both the Young Animal Line and Allred himself.  The book pays tribute to what has come before while still paving the way for something new while setting up an interesting story and mystery for the rest of the series to follow-up on.  The inclusion of lesser known characters like the Silver Age Sandman are a nice plus and really help showcase the scope of the DCU even when the majority of your book takes place in a dream house.  General Electric while a somewhat cheesy villain is introduced in a very fun and bombastic way and the magical McGuffins of the metal and dream whistles actually fit into the story quite well.  The art is also fantastic as it to features Allred’s unique form and style that manages to make the characters feel lively and dynamic and making each one feel unique while still being a working homogeneous part of the same story and world.  If there are any complaints to be had it would be the book does seem to jump around a bit but that only adds to the surrealist feel and style of the work.

 

Overall I would say BUG! The Adventures of Forager is a worthy addition to any DC/Young Animal fans collection.

 

Final Score

Story: 8.5

Art: 8

Overall: 8.5

The Flash #21: The Button Part 2 Review

Publisher: DC Comicswcn02k72xoey

Written By: Joshua Williamson

Art  By: Howard Porter, Hi-Fi

Letters By: Steve Wands

 

 

 

 

 

 

 

 

The latest Rebirth Event continues with a murder mystery very personal to the scarlet speedster, but as we soon find out the case is big on questions and short on answers.

 

The second part of the Batman/Flash crossover “The Button” starts with an elder Johhny Thunder on top of the retirement home begging Thunderbolt to come back to him and help him find the Justice Society of America as he blames himself for their disappearance.  Meanwhile Barry Allen examining the site while also monolouging about how he is relieved Thawne is finally dead though disappointed someone else did it and that the criminal will never truly know justice.  He goes to ask Bruce what he remembers about the incident but Batman can give him little information on top of what he already knows, Barry says he is going to investigate more on his own and heads to the Justice League Watchtower.  While there he dusts off the Cosmic Treadmill and prepares to start it up as Batman walks in and tells Barry that he is going with him.  At first Flash states that Bruce is too injured to come along but he states that he’s been through worse so the two go together into the speedforce to travel back in time to The Flashpoint to see if they can discover who killed Thawne and who put the mysterious button in the Batcave in the firstplace.  While traveling through time they see flashes of the stolen years Wally had previously talked about showcasing events such as the formation of the JLA in the silver age, the first Crisis on Infinite Earths and Identity Crisis.  Suddenly a storm catches them and they get knocked out of the timestream into the Flashpoint Batcave where Bruce meets his father Thomas Wayne who is that timelines Batman.

 

Overall Williamson continues King’s narrative quite well the story while a bit fast paced is well executed and moves the event forward enough to keep readers interested.  The dialogue between Barry and Bruce shows how the two are more similar than they would like to admit but also how they contrast when dealing with issues.  The greater narrative or Rebirth is moved forward a bit as well as we see more hints at the return of The Justice Society and we see part of the ten years time taken from the DC Universe when Bruce & Barry are in the speedforce.  In terms of art Howard Porter’s art may not be quite as detailed as the art in the previous installment however it still fits the narrative well and helps give The Flash flair in his motions throughout.  Hi-Fi also does an excellent job on the colors complimenting Porter’s art quite well, although the costumes do look a bit overly shiny at times.  Once all is said and done however the second installment of “The Button” while not as suspenseful as the first is still an enjoyable read overall.

 

Final Score

Story: 8 out of 10

Art 7 out of 10

Overall: 7.5 out of 10

Batman #21: The Button Part 1 Review

Publisher: DC Comics190240_1060281_3

Written By: Tom King

Art By:  Jason Fabok, Brad Anderson

Letters By: Daron Bennet

 

 

 

 

 

 

 

 

 

At the end of the DC Universe Rebirth Special DC put out last summer Batman found the Comedian’s bloody button from the Watchman buried in the wall of the Batcave. Now nearly a year later we start a crossover between Batman & The Flash to investigate the mysterious artifact with a four part crossover titled “The Button”.

 

The first part begins with the amnesiac Saturn Girl from the Legion of Superheroes in Arkham watching a hockey game on TV, this triggers something in her memory and she begins screaming about how Superman won’t come and the Legion will die.  Meanwhile we cut out to Batman back at the Batcave and the titular button reacting to the Psycho Pirates mask sitting next to it.  Bruce contacts Barry about this however The Flash is unable to speed over as he is currently in the middle of a battle with a group of  robotic samurai but tells Batman he will be over in a minute.  As soon as he ends the call Batman sees a swoosh thinking it is his friend however it turns out to be Eobard Thawne: The Reverse Flash, who taunts Batman by ripping up his letter that his father Thomas wrote for him during The Flashpoint and starts beating poor Bruce into the ground until he is unconscious and is able to steal the button from him.  As soon as Thawne gets his hands on the button he is momentarily teleported away and reappears looking much worse for wear merely stating “I Saw God!” before collapsing and turning into a skeleton.  The issue ends with Barry arriving at the Batcave finding an unconscious Bruce and a dead Thawne.

 

In terms of story the first part of The Button is near perfect, we see more of the staples that have made King so popular, nine panel page layouts, cryptic dialogue, social commentary, a nice cliffhanger ending and well paced action scenes make the issue one heck of a ride that would make The Watchmen themselves proud.  The art by Jason Fabok complements the story perfectly and Fabok continues to be at the top of his game creating a truly tense and engaging atmosphere in near every page and panel, all of which are well complimented by Brad Anderson’s color work which give us bright and defined colors to help make the characters and surroundings really pop out on each page.

 

Overall Batman #21 is an excellent start to what may be one of the most important storylines since Rebirth began in June of 2016 and is a much have for any Batman &/or Flash fan.

 

Final Grade

Story: 10

Art: 9.5

Overall: 9.5

 

Action Comics #977 Review

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Publisher: DC Comics

Written By: Dan Jurgens

Art By: Ian Churchill, Hi-Fi

Letters By: Rob Leigh

 

 

 

 

 

 

 

Action Comics #977 is one of the many Superman books to deal with the fallout of the recent Superman Reborn event and gives readers some more clarification on the new merged timeline for the hero.  We find Lois & Clark working back at the Daily Planet with Perry White being their son Jon’s Godfather.  The two only have vague memories of what happened when Mxy kidnapped Jon but both have a feeling that something stil isn’t quite right.  Meanwhile a mysterious figure is going around contacting a number of Superman’s foes in hopes of forming an alliance.  While this is going on Clark goes to the Fortress of Solitude and has the computer retell his origin story.  Everything seems to be in order until the very end where he hears a secondary voice and we see a small figure in one of the fortresses crystals.

 

In terms of story Jurgens remains on track with his current Action Comics run and it is still quite obvious he has a long term plan as to where he wants his stories to go within the greater scope of Rebirth.  Ian Churchill and Hi-Fi continue to do a solid job on art duty giving detail and color to the comic that helps make it visually pleasing and keeps the reader engaged in the story.  My only complaint is even if the reason is justified, seeing Superman’s origin for the umpteenth time is somewhat tedious.  That aside though Jurgens and co continue to bring us one of the most constantly enjoyable runs on action since Morrison back in 2011.

 

Final Score

Story: 7

Art: 8

Overall: 7.5

Suicide Squad/Banana Splits Special #1 Review

 

 

Publisher: DC Comics3836545_HubzwZt.jpeg.square-true_maxheight-285_size-285

Written By: Tony Bedard, Mark Russell

Art By: Ben Caldwell, Mark Morales, Jeremy Lawson, Howard Portar, Steve Bucellato

Letter’s By: Troy N Dave, Dave Sharpe

 

 

 

The final DC/Hanna-Barbera Crossover features everyone’s favorite Task Force teaming up with a bunch of crazy talking animals in Suicide Squad/Banana Splits #1.  Does the book mark the X or is this title committing literary suicide?  Lets find out.

 

The issue starts out with the Banana Splits being pulled over and being mistaken for rouge metahumans.  This leads to the group being attacked and imprisoned by authorities and imprisoned in Belle Reeve.  Meanwhile Waller is having trouble getting in contact with all of the members of the Suicide Squad on their latest mission and decides she needs individuals who are even more disposable than her existing team to help extract them from their current situation.  This of course leads to the poor Banana Splits being thrown from the oven and into the fire as they have to save and team-up with the Suicide Squad to stop an army of evil robotic children.

The back-up strip is the first installment of The Snagglepuss chronicles which starts which portrays the character as a gay southern playwright in the fifties fighting McCarthyism as best he can.  The initial chapter starts out with Snagg in Washington D.C. where he confronts the NSC and manages to successfully ruffle their feathers.  Later on he is confronted by a young Auggie Doggie who says Snagglepuss is his hero and how he hopes to be like him some day.  This leads Snagg to tell the young pup of his greatest failure as an artists which leads Auggie to ask him why he tries so hard with Snagglepuss replying “Son. In life you do not fight battle because you expect to win, you fight them merely because they need to be fought.”

 

In terms of story, the main strip is fairly straightforward and well done, it is quirky, zany, fast-paced and action packed as you would expect a story about the Squad to be.  There is also some no so subtle and much needed commentary on profiling individuals based on appearance.  The back-up Snagglepuss script is what really grabs the reader the most despite its short length.  Like with Russell’s other work takes a past period of time and uses a problem in the story that is timely and relevant to the modern day as well.  His dialogue is intelligent and witty and really has you rooting from Snagglepuss from the start.  It also does a solid job of setting the stage for the upcoming ongoing comic.

 

In terms of art, while Caldwell’s style is a bit more cartoony than one would usually expect in a Suicide Squad story it fits the tone of this particular story quite well, as do Lawson’s colors.  Howard Portar’s art continues to be excellent giving the Snagglepuss Chronicles short a look that is a nice balance between realistic and cartoonish.  This style helps make the concept of sentient cartoon animals living side by side with humans feel natural and believable and also helps add more gravitas and depth to the story.  While Buccellato’s colors compliment the work quite well.

 

Overall Suicide Squad/Banana Splits Special #1 is a genuinely entertaining read with a spectacular back-up strip.  The humor in the book is smart and both stories themes are relevant to the modern day.  If you are a fan of either the Squad or Snagglepuss the book is most definitely worth picking up!

 

Final Score

Story: 8.5

Art: 8

Overall: 8.5

Green Lantern/Space Ghost Special #1 Review

Publisher: DC ComicsSpace-Ghost-Green-Lantern-Annual

 Written By: James Tynion IV, Christopher Sebala, Howard Charkin

Art By: Ariel Olivetti, Wil Quintana

Letters By: A Larger World Studios, Pat Brosseau

 

 

 

 

 

 

 

The third DC/Hanna-Barbera Special stars two of the most well known Galaxy Guarding heroes Green Lantern Hal Jordan and Space Ghost in a tumultuous trek for the ages.

 

The issue begins with Hal Jordan responding to a distress call about a great weapon from a planet so far at the far off edge of the Universe that is actually considered to be in an entirely different dimension.  While traveling to the planet he is attacked by Larfleeze and the minions of Zorak who are also after the weapon.  This leads Hal to be confronted by Space Ghost who mistakes him for an enemy and leads to a fight which causes the two to come crashing down to the planet below.  Once down on the planets surface they have to flee from a hostile military and take refuge at the home of a young girl and her uncle who is an inventor, the two explain to them that the residents of the planet have been told that there is no such thing as space and stars and that they are all alone in the universe.  The uncle had sent out the message to attract outside life and prove the militaristic government wrong.  He also said the weapon was a mistranslation and it was a vehicle he was making not a device of destruction.  However the military catches up to the two heroes and Space Ghost and Hal must team-up to fight them off, but not before the Uncle is severely wounded.  In his dying moments he asks the two to take him into space so he can see it just once before he dies.  They do so and the old man finally finds peace. Later Space Ghost and Hal Jordan return to the planet and reveal their truth to the people.  The book ends with the two parting ways hoping to meet again someday and a flash-forward to years later when the young girl is heading into space and looking forward to meeting her heroes once more.

The back-up consists of a short modernization of Ruff & Reddy that is a short prologue  setting up for future tales

 

In terms of story the Green Lantern/Space Ghost Special may not be the strongest in terms of story but the story it does tell is still poignant and well executed.  The morals of the destructive nature and lies of an authoritarian society are especially relevant in modern times and  the moment where Hal and Space Ghost show the uncle space for the first and last time is genuinely touching.  The action is hit and miss, but the actual interaction between the two heroes showing how their personalities contrast in philosophy but compare where it counts makes for some interesting dialogue between the two.  The back-up Ruff & Reddy strip however is fairly weak and does nothing to make me want to read more of the characters adventures in the future.

 

In terms of art Ariel Olivetti does a masterful job on the art and colors giving the main story a level of realism and depth while still showcasing the grander scope of space in a way that makes the entire story feel rather cinematic.  Quintana’s art on the back-up strip is much more simplistic and cartoony but that plays to the strength of the characters used in set strip.

 

Overall Green Lantern/Space Ghost is a fairly well constructed story with beautiful art that leaves you wanting to see more of both of the title heroes in the future.

 

Final Grade

Story: 8

Art: 10

Overall: 9 out of 10